HOW STRONG ARE WE

warriorchick · Post by **warriorchick** » Thu Jun 23, 2005 10:25 am

Ranchgal wrote:I agree it wasn't---but Swan was so intense-SIGH--IT was wonderful to see!!
Just my own thought there---LOL--can't help it!!!

The only scene where I really get a romantic twinge is in the train car---when he takes her hand down from combing her hair---his thinking of her, and showing her she had nothing to be embarrassed about--and the pride in who he was and helping her find hers---THAT qualified as romantic in my book!! The flower thing, where he hands it to her, was nice---but that didn't strike me as much as in the traincar.

i always thought that if i had a wish, it would be to play the part of mercy and do the 'subway tunnel' scene with swan!!!

(after having a roomful of money that is!!)

i agree again ranchgal,the scene in the subway car when he pushes her hand down is a very romantic gesture, and it keeps in character for swan. i never did like the 'flower' scene. i always felt that it was out of character for him and just added to show a softside. swan dragging her around, especially bringing her back to coney, is enough to let us know that he has some feelings for her. he also tells her to cut out the back before the fight goes down with the rogues. if he didn't care, he probably would have wanted an extra hand to help in the confrontation, after all, she tells him,' i can take care of myself, i proved that!'... mercy goes against just about everything he tells her to do, and he still stays with her.

another scene that i felt was out of character was when they were talking in the arcade and he tells her, 'i was kinda rough on you back there.' i think that was unnecessary. i can't see him apologizing for doing what he thought was right. 8)

Ranchgal · Post by **Ranchgal** » Thu Jun 23, 2005 8:37 pm

I agree with most everything you said--we are usually on the same wave length!!

EXCEPT---I didn't really think it was out of character for him to tell her to cut out---at the boardwalk---because---I never got the feeling he was looking out for her as much as he did NOT want to keep an eye on her or have to bail her out of something if he was busy killing someone. I think he was trying to save all of them from thinking they had to protect her. And it would be easier on everyone if she just wasn't involved. So that one scene we saw through different views. But everything else worked for me.

(Course everything about Swan works for me-LOL

)

Harley · Post by **Harley** » Wed Jun 29, 2005 12:57 am

Maybe some people think that trying to make it in a subway tunnel is hot, but not me! All I could think about was if there were rats running around and if a train was going to come by and flatten them. Although I did think it was quite funny seeing Vermin trying to lay on the charm with the Lizzies..."Oh baby throw it my way" HA! But I agree with you about the seen with the prom couple when Swan stops Mercy from fixing her hair Ranchgal, that was class!

Ranchgal · Post by **Ranchgal** » Thu Jun 30, 2005 9:15 pm

thanks--LOL]
I don't think Warriorchick really cared about WHERE nearly as much as WHO-and WHAT

It wasn't the subway, as much as it was the facelock, and mainly it was MB/SWAN!!
SIGH , works for me too,--imaginatively, visually, virtual reality--whatever.

warriorchick · Post by **warriorchick** » Fri Jul 01, 2005 12:28 am

you got that right ranchgal!! if i was in a subway tunnel with MB/swan, the LAST thing that i'd be thinking about would be rats. in fact, i don't think i could FORCE myself to think about anything else, only who was standing in front of me!! 8)